ATTA

Ours is a century of fear. Governments and mass media bombard us with words and images: desert radicals, “rogue states,” jihadists, WMDs, existential enemies of freedom. We labor beneath myths that neither address nor describe the present situation, monstrous deceptions produced by a sound bite society. There is no reckoning of actuality, no understanding of the individual lives that inaugurated this echo chamber.

In the summer of 1999, Mohamed Atta defended a master''s thesis that critiqued the introduction of Western-style skyscrapers in the Middle East and called for the return of the “Islamic-Oriental city.” Using this as a departure point, Jarett Kobek''s novel ATTA offers a fictionalized psychedelic biography of Mohamed Atta that circles around a simple question: what if 9/11 was as much a matter of architectural criticism as religious terroris